• 15Jan

    MovieView by JDD MEDIA is designed in a way to enable you to access news of all those who work in the film industry. MovieView by Josh Dinnerman brings you the box office results of the latest releases, top ten movies of the world and their honest reviews.

    MovieView always keeps an eye on the stories taking place behind the screen and on the location. MovieView, publication of JDD MEDIA, brings to you the complete profile of your favorite actors, directors, musicians and choreographers worldwide. JDD-Media MovieView is utterly devoted to the serious and electric discussion of cinema internationally.

    MovieView, chaired by Joshua David Dinnerman, brings forth news, reviews and happenings from the film industries of the world. MovieView encompasses interviews with the Oscar winner directors, producers, actors and also provide their special analysis on the movies. MovieView encapsulates information on all types of movies of all languages being released worldwide.

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  • 15Dec

    LOS ANGELES (Hollywood Reporter) - ” The Day The Earth Stood Still ” took command of the overseas market during the weekend, selling $39 million worth of tickets in 90 countries.

    Fox said it is projecting No. 1 market shares for the day-and-date release in 53 of the 90 markets.

    Russia , with $5.6 million, was “Earth’s” biggest No. 1 supporter, followed by the U.K. ($4.1 million), Spain ($2.9 million) and Italy ($2.5 million).

    France ($3.3 million), Mexico ($2.9 million) and Germany ($2.7 million) welcomed the remake of the 1951 sci-fi classic in second place. In each of these countries, ” Madagascar: Escape 2 Africa ” opened at No. 1.

    The cartoon sequel registered a weekend gross of $33.6 million from 46 territories, lifting its foreign gross to $172.7 million. In all, ” Madagascar 2 ” opened in 11 new markets, topped by Brazil ’s $4 million bow at No. 1.

    James Bond also remained a force at the international box office , with “Quantum of Solace” raising its overseas total to $367 million after a weekend take of $5.2 million from 70 markets.

    “Bolt” pulled in $4.1 million from 11 countries (foreign total: $28 million). Disney stablemate “WALL-E,” playing its final territory, held the No. 1 position for a second weekend in Japan , tallying $4 million for a market total of $12 million. Its international total has reached $276.8 million.

    Also during the weekend, “Four Christmases” brought in $3.8 million from 18 markets, holding at No. 3 in the U.K. with $1.7 million. Its international gross is $15.7 million.

    Other foreign totals: “ Burn After Reading ,” $78.5 million; ” Body of Lies,” $58 million; ” High School Musical 3: Senior Year ,” $145.3 million.

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  • 08Dec

    Long before Paris Hilton, there was Sunny von Bülow: rich, blond, a fixture of upper-crust New York and Newport, the very definition of a glamorous 1950s socialite.

    And with her death Dec. 6 after nearly 28 years in a persistent vegetative state – a coma-like condition her husband was accused of causing with a shot of insulin intended to kill her – von Bülow, 76, will remain forever n enigma.

    Born Martha Sharp Crawford – and nicknamed “Sunny” for her cheerful disposition – Bülow inherited an estimated $75 million fortune from her father, energy magnate George Crawford.
    With a beauty that earned comparisons to Grace Kelly and a party budget seemingly without limit, she become one of the most sought-after women in New York City. An Austrian prince, Alfred von Auersperg, caught her eye while von Bülow was traveling with her mother in Europe at age 24. They married and had a daughter, Ala, and a son, Alexander, before divorcing in 1965

    A year later, Sunny wed Claus von Bülow, a Danish businessman who ran in the same circles as oil billionaire J. Paul Getty. They had their own daughter, Cosima, but it wasn’t long before their rocky union led to scandal.

    In 1980, Sunny – who suffered from hypoglycemia – was found unconscious on the floor of the couple’s Newport, R.I. mansion, Clarendon Court. The mother of three would never wake up.

    Two years later, following a sensational trial that featured testimony from his mistress, the darkly handsome Claus was convicted of twice trying to kill his wife by injecting her with insulin to lower her blood sugar.

    In a stunning turn-around, he was granted a second trial on appeal and was acquitted in 1985. 

    The scandal received international media attention and was portrayed on screen in the 1990 film Reversal of Fortune, starring Glenn Close and Jeremy Irons. (Irons won an Oscar for his chilly portrayal of Claus.)

    After 28 years in a coma – during which she was fed through a tube in a private hospital room surrounded by fresh flowers and photos of her children, according to the New York Times – Sunny died Saturday in a Manhattan nursing home at age 76.

    “I’m sure Claus is very sad,” his lawyer Alan Dershowitz told the Associated Press. “[It’s] a sad ending to a sad tragedy that some people tried to turn into a crime. It was never a crime.”

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  • 01Dec

    Ricki Lake has trimmed 140lbs. from her all-time top weight of 270 pounds – and says she is holding steady.

    “I can’t believe I was a fat person for most of my life,” the former talk show host, rocking a sexy black Herve Leger dress (size small), told PEOPLE at a recent benefit for the New Space for Women’s Health, a New York City birthing center slated to open in 2010.

    “I didn’t have surgery and I worked hard. There’s no secret. I’m active. I watch what I eat,” Lake, 40, adds.

    But she’s certainly not immune to the pressure to stay thin. “According to Hollywood standards, I’m not a thin girl. I’m a normal girl,” says the mom of two boys, Milo, 11, and Owen, 6. “I don’t want to perpetuate that obsession but yet I am also guilty of wanting … to lose weight.”

    “I’m just grateful that I have sons and not daughters because it’s that much harder,” she says.

    Lake sticks to meals delivered by a service called Fresh Dining (”It’s organic, it’s fresh, and I still love it,” she says) but admits unpredictable factors in life could one day interfere.

    “With the weight stuff I don’t have any answers,” she says. “Something tragic in my life could happen and I could balloon and gain weight. I can’t promise I will be like this forever.”

    Recently, Lake has been focusing on making a sequel to her 2007 documentary The Business of Being Born, and is working on a guide to pregnancy, due out in May.

    And with the holidays in full swing? “I will be really conscious because I have this book coming out and I want to look great,” she says. “I don’t need to lose anymore weight. [But] I don’t want to go backwards. So I’m not going to pig out this Christmas.”

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  • 25Nov
    LOS ANGELES (AP) — The Hollywood writers union claims studios aren’t paying for work used on the Internet — just as the Screen Actors Guild plans to ask its members for a vote to strike over Internet payments.

    The two unions appear to be reading from the same script with an eye to disrupting the upcoming Hollywood awards season, much as last year’s strike abbreviated the Golden Globes.

    “If, God forbid, we should go on strike, you want to do it at a time when it has the most impact,” Guild president Alan Rosenberg told The Associated Press Monday. “We want to use whatever leverage we can muster.”

    Federally mediated talks between the actors union and Hollywood’s major studios broke down early Saturday. The writers union ended a 100-day strike Feb. 12.

    The actors union claims studios want to cut the residual fees actors receive when their work appears in reruns by shifting reruns to the Internet, where fees are a minimum of about $23 per actor, compared with more than $700 for TV reruns.

    The Writers Guild of America said in an arbitration claim last week that the studios are not even paying the lower fee.

    The writers union says the Internet residuals apply to films made after July 1971 and TV programs from 1977 and later, while the studios say they apply only to work done after Feb. 13 of this year.

    The studios also argue any shift in reruns to the Internet is not deliberate, and that residuals are lower there because less revenue is generated online than on TV.

    “The companies have reneged on this agreement,” John F. Bowman, chair of the Writers Guild of America’s negotiating committee last year, said in a statement. “The guild will not allow this to stand.”

    Outrage has spilled into the ranks of actors and is serving as fodder for their union’s push for a vote as soon as possible on whether to strike.

    Ron Perkins, a 58-year-old actor with a recurring role as a doctor on NBC’s Heroes, said the issue highlighted why actors have been holding out since their contract expired in June.

    “The other unions who have accepted contracts are finding out, especially with the writers, that there are some problems,” he said. “I think we need to stand behind our leadership.”

    Adding residuals for material reused via Internet downloads was a “core issue” of last winter’s writers strike.

    A vote on whether actors authorize a strike could take more than a month. It requires 75% approval to pass.

    The Alliance of Motion Picture and Television Producers, which represents the major Hollywood studios, said Monday in a statement that it “simply cannot put the future of the industry at stake — even if it means that awards shows are disrupted in some way.”

    The studio group refuses to alter the new media agreement that it has reached with six other labor groups, including directors, writers, stagehands and another actors union.

    “SAG cannot justify why it deserves a better deal,” the group’s statement said.

    Rosenberg, the actors union leader, discounted the argument that the midst of a recession was the wrong time to call for a strike.

    The guild is celebrating its 75th anniversary this year, and Rosenberg noted the group was founded in 1933, in the depths of the Great Depression, after studios sought to cut actors’ pay by 50%.

    “The economy is bad for us and it’s bad for the employers as well,” he said. “These hard economic times ought to induce both of us to get back to the table and avoid a work stoppage.”

    “You can’t use hard economic times as an excuse to sell out the future,” he said.

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  • 18Nov

    MovieView offers in-depth information about the industry news, new releases, box office stats, reviews, interviews and film updates from the entire movie producing industry across the globe. Be it Hollywood, or the any other film industry , the Joshua David Dinnerman enterprise covers the happenings that take place inside the industry. MovieView brings you the stories from behind the screen, on location news, future prospects of the movie as well as the undiscovered news

    MovieView of Joshua dinnerman brings you the latest information on like Cannes Film Festival, Oscar and other prestigious events related to the entertainment industry. MovieView of JDD Media covers entire movie industry existing in any part of the world and comes out with fascinating, perplexing and exciting stories about the actors and producers in detail.

    With its large coverage and network worldwide, MovieView is indeed your one-stop guide to movies.

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  • 04Nov

    The shortest and certainly the most action-dense Bond ever, “Quantum of Solace” plays like an extended footnote to ‘Casino Royale’ rather than a fully realized stand-alone movie. Producers Michael G. Wilson and Barbara Broccoli, possibly knowing they couldn’t immediately top the previous pic’s sheer stylishness, have radically reshuffled the series’ traditional elements, but also allowed incoming helmer Marc Forster to almost throw the baby out with the bathwater. Played with a cold, mechanical efficiency that recalls the “Bourne” movies, with almost no downtime or emotional hooks, “Quantum” will find some solace in beefy initial returns but looks unlikely to find a royale spot in Bond history or fans’ hearts. Unusually, pic opens in the U.K. and other territories Oct. 31, two weeks ahead of its Stateside bow.

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  • 16Oct

    Joshua’s Dinnerman MovieView is one of the best film magazines online that examines classic, commercial, and independent films from a wide range of vantage points from the aesthetic to the political.  Features news, reviews, top movies, upcoming releases, box office results (UK), forum, and more.  Quality reviews and analytical articles on old and recent movies, and popular culture. Magazine explores the various aspects of filmmaking from the perspective of the filmmakers themselves. Daily film industry news from around the globe, reviews from the world’s leading festivals and box office comment from every major territory. Presents an insider’s perspective on the world of filmmaking, including: interviews, case studies, financing and distribution information, festival reports, technical and production updates, and more.

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  • 29Aug

    MovieView of JDD Media brings you the latest movie reviews, film festival reports, star tributes and interviews of directors and actors from yesterday and today. MovieView of Joshua David Dinnerman Media provides an entertaining and informative look at the film industry. MovieView from the house of jdd media brings to you the latest news related to the actors, directors, writers and producers from the biggest studio to the smallest.

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